Primary dynamic mic for Acoustic Guitar, Kelley guitar amp, Vocals, and Dialog tracks. The R-121 is good on just about every source from drums, brass, electric guitar and bass to acoustic instruments, strings and percussion. It has a wide dynamic range with a rich low end and has the ability to take large amounts of EQ if necessary.

The SM-57 is the industry standard guitar amp mic for decades. Paired with the Royer R-121 ribbon mic it is a match made in guitar tone heaven.

The R-121 is crystal clear and true to its sound source at high SPL levels. The SM-57 is musically colored and complements the pristine R-121 perfectly for that classic tube tone we all know and love.

Ribbon mic for the Blackstar & Tone King shared Seismic Creamback cabinet and stereo mic for the acoustic guitars.

The Royer R-10 is a moderately price professional ribbon mic that can serve in many different roles in the Muse Cave studio.

The e-609 is an industry standard for close micing tube guitar amps at high SPL levels.

It does not require a mic stand as it hangs down from the top of the amp on its cable. It lays flat against the amp's grill cloth.

The e-609 role is in the Dual Amp Muse studio configuration on the Tone King tube amp.

The e-906 is an industry standard for close micing tube guitar amps. It adds a high pass filter at 80 HZ to the legendary e609 basic specs.

As with the e-609 It does not require a mic stand as it hangs down from the top of the amp on its cable. It lays flat against the amp's grill cloth.

The e-906 role is in the Dual Amp Muse studio configuration on the Blackstar tube amp.

Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Shure Beta 57A dynamic microphone provides optimal warmth and presence.

This neutral-sounding small-diaphragm modeling mic captures even the loudest sources with clinical precision — the perfect blank canvas to use with Slate's microphone emulations.

This neutral-sounding small-diaphragm modeling mic captures even the loudest sources with clinical precision — the perfect blank canvas to use with Slate's microphone emulations.

Lauten Audio's Series Black LA-220 is a large-diaphragm cardioid FET condenser mic with a 1" pressure gradient capsule,

The TCM1050 is a rebadged Alctron HSGT-2B, a multipattern, large-diaphragm tube condenser microphone. Read more: http://recordinghacks.com/microphones/Nady/TCM1050#ixzz6iQljm14g

This microphone is specially designed for all kinds of bass, from kick drums to bass guitars.

The RTA-M is an omni-directional, flat frequency measurement microphone. Flat frequency response, super-accurate omnidirectional mic.

It's specifically designed to have a tighter polar pattern, so it'll pick up just what you want, without those issues with bleed. And its custom circuit (with transformer) and highpass filter give it an optimized frequency response for capturing drums, amplified instruments, and vocals.

ailor-made for instruments, this microphone’s specialized aluminum voice coil delivers detailed highs and deep, clear lows from whatever you put in front of it.

ailor-made for instruments, this microphone’s specialized aluminum voice coil delivers detailed highs and deep, clear lows from whatever you put in front of it.

Recommended the C1000 to project studio engineers and field recording specialists for years because of its clarity and versatility, and this updated version is more versatile than ever.

A superior low-noise, electret condenser cardioid microphone designed for professional vocalists and musicians.

A superior low-noise, electret condenser cardioid microphone designed for professional vocalists and musicians.

The MXL 990 remains one of the industry's most ground-breaking microphones.